As mentioned before, this is one of those plots that skip
all over the time line to provide back story on the characters. Not my favorite technique as a reader, but
John Irving does it so well. Each of our
four main characters gets the spotlight shone on their past, and the times when
the two couples first met are outlined as well.
The passage on the meeting and subsequent marriage of The Narrator and
Utchka is especially interesting. Their
journey as newlyweds back to the United States coincides with the aftermath of
the Kennedy assassination. One paragraph
is particularly fine:
‘When we landed in New York, some magazine had already
printed the picture of Mrs. Kennedy which was to be around for months. It was a big color photograph – it was better
in color because the blood really looked like blood; it showed her stunned and
grieving and oblivious of her own appearance.
She had always been so concerned about her looks that I think the public
liked seeing her this way. It was the
closest thing to seeing her naked; we were voyeurs. She wore that blood-spattered suit; her
stockings were matted with the blood of the President; her face was
vacant. Utch thought the photograph
disgusting; it made her cry all the way to Boston. People around us probably thought she was
crying for Kennedy and the country, but she wasn’t; she was reacting to the
face in the photograph, that grief, that look of being so totally had that you
just don’t care anymore. I thing that
Utch was crying for Kudashvili, and for her mother, and for that terrible
village she came from, which was just like any other village. I think she empathized with the vacancy on
the face of the President’s widow.’
The humor in this story is often quite subtle. The description of how the ladies sleep is a
nice example: ‘She [Utch] did not curl tight and protect herself; she
sprawled. If you wanted to cuddle
against her, she didn’t mind, but she herself was not one to cuddle. Edith slept like a cat – contained, a
fortress, snug against you. Utch spread
herself out as if she were trying to dry in the sun. When she lay on her back, she didn’t seem to
notice where the covers were, and she lay on her stomach like a swimmer frozen
in the instant of the breaststroke kick.
On her side she lay like the profile of a hurdler. In the middle of the night she would often
lash an arm out and swat the bedside lamp off the night table or bash the alarm
clock across the room.’
It is during a discussion of this quirk between The
Narrator and Edith that he mentions the fact that Severin took Utch to the
wresting room at night. Edith freaks out
and we suddenly have a little mystery on our hands. Apparently there is a secret that has been
withheld from him about someone named Audrey Cannon. We end chapter seven with The Narrator
demanding of the other three to tell him who Audrey Cannon is (and,
subsequently, why the name seems to stir up such emotions in the others!).
March's book of the month:
“Heart of Brass,” by Kate Cross!
Week 1: Chapters 1-6
March's book of the month:
“Heart of Brass,” by Kate Cross!
Ladies, if
you like Romance Novels, this one’s for you!
The Steampunk element should be a big plus as well!
"Fabulously
entertaining—a great romance in an inventive, believable steampunk world!"
— New York Times bestselling author Stephanie Laurens
“Riveting! I couldn’t put it down. I can't wait for the next book!” — #1 New York Times bestselling author Victoria Alexander
“Riveting! I couldn’t put it down. I can't wait for the next book!” — #1 New York Times bestselling author Victoria Alexander
Week 1: Chapters 1-6
(First post, 3-6-15)
Week 2: Chapters 7-11
Week 3: Chapters 12-16
Week 4: Chapters 17-End
[Watch for a new format in April - a major change in how the club operates! If you have suggestions about how it should be run, now is definitely the time to chime in. Thanks!]
Week 3: Chapters 12-16
Week 4: Chapters 17-End
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