There is a lot of drama going on behind the scenes here as
well, involving our antagonist, Telford and some shady people he has apparently
hired to work for him. In his
desperation to catch Gwyneth, who has information that could send him to
prison, he resorts to kidnap and torture, among his other transgressions, as
his former partners in crime panic, at least one of them leaving the
country. Gwyneth recounts some of his
earlier crimes, including the murder of her father by poison. Who knew that honey made by bees that gather
pollen from only oleanders would be fatally poisonous?
We occasionally get glimpses of what lies ahead, though they
may not seem to tie into anything in the story just yet. Addison’s flashback encounter with a pair of
dogs at the age of eight shows us that they aren’t afflicted with the same
automatic hatred for Addison that people display when they see what he looks
like. This is the best clue we’ve been
given as to his physical appearance. The
chapter ends with the cryptic “And as it happened, in a critical hour, dogs did
prove to be all that I imagined and more.” For those who don’t know, Koontz has featured
dogs very prominently in many of his stories, always in a saintly light. I love dogs, too, but his infatuation with
them is practically pathological!
Through one of Telford’s shady accomplices, we get a glimpse
of a greater evil than Telford. The art
buyer, Goddard, explains that the extremely valuable artworks that he fences
for Telford are bought in order to be destroyed. About the mysterious buyers; “Like
voodooists, they believe that each iconic thing they burn or shatter or melt
down will strengthen their cause and weaken their enemy. From their kingdom in the Middle East, they
intend soon to destroy the West entire, but first they want the personal
satisfaction of eradicating some of its most precious and inspiring creations,
piece by piece.” Koontz is occasionally
accused of using his forum of suspense novels to make political statements or
preaching his worldview. The fact that
he does it through his characters, written in first person is, perhaps, a thin
disguise. Other authors presumably do
the same thing, just a little less obviously.
In Koontz’s books, I’m not bothered by it – maybe because I happen to
agree with most of his opinions!
The plot device of casting most of the important
action in the middle of a snow storm is smart, not only because it sets a
mysterious otherworldly tone to the action, but because it creates an
environment in which our characters – especially Addison – can move about more
freely than might otherwise be possible.
Gwyneth, behind the wheel of her Land Rover with chains on the tires,
takes great liberty in her driving, seeming to feel that she can do no
wrong. ‘“What happens if a policeman
pulls you over?” I asked. “Won’t
happen…”’ Addison asks a lot of
questions due to the fact that Gwyneth is so used to not communicating with
people. Her answers, too, are
frustratingly terse. This, of course,
adds an element of mystery to the narrative, keeping the reader in the dark, as
well as Addison, as to her intentions.
Next Week: Conclusion
And join us next month for May’s book of the month: “Memory in Death,” by J. D. Robb!
J.D. Robb is the pseudonym for Nora Roberts, a number one New York Times bestselling author of more than 190 novels, including the futuristic suspense “In Death” series. There are more than 400 million copies of her books in print.
Excerpt: Death was not taking a
holiday. New York may have been decked out in its glitter and glamour, madly
festooned in December of 2059, but Santa Claus was dead. And a couple of his
elves weren’t looking so good. Lieutenant Eve Dallas stood on the sidewalk with
the insanity of Times Square screaming around her and studied what was left of
St. Nick. A couple of kids, still young enough to believe that a fat guy in a
red suit would wiggle down the chimney to bring them presents instead of
murdering them in their sleep, were shrieking at a decibel designed to puncture
eardrums. She wondered why whoever was in charge of them didn’t haul them away.
Not her job, she thought.
Thank God. She preferred the bloody mess at her feet.
[Interesting departure for an author known chiefly as a Romance writer!]
We'll start Week 1 on May 9th;
Week 1: Chapters 1-6
Week 2: Chapters 7-11
Week 3: Chapters 12-16
Week 4: Chapters 17-21
[Interesting departure for an author known chiefly as a Romance writer!]
We'll start Week 1 on May 9th;
Week 1: Chapters 1-6
Week 2: Chapters 7-11
Week 3: Chapters 12-16
Week 4: Chapters 17-21
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