There is some nice history in these anecdotes, also. For those of us who lived through the sixties
(and, yes, remember them!) there is a strong feeling of re-visiting the past in
these pages. The description of the
“hippies” and how they act, dress and speak might be lost on someone who wasn’t
around back then. To today’s college age
reader, “hippy” means something rather different than it did then, and the
attitude that “normal” people had toward “hippies” at that time – nicely
depicted by Sedaris’s mother and her reactions – probably can’t be fully
appreciated. His attempts to dress like
a hippy being ridiculed by the “real hippies” speaks to a cultural disconnect
prevalent at the time which is difficult to convey to modern youth; especially
the ones who attempt to emulate them.
His relationship with his mother is explored in depth in
these pages, and we get a pretty clear picture of a rather complex woman, with
strengths and weaknesses we can really relate to. She is not above mocking her son: “Being mocked by the untalented was easy to
brush off, but my mother was really good at imitating people. Coming from her, I sounded spoiled and
vacant, like a Persian cat, only human.”
And a quote from her: “You don’t think I know how these things work? I wasn’t just born some middle-aged woman
with a nice purse and a decent pair of shoes.
My God, the things you don’t know.
My God.”
Some very poignant moments are depicted as well. After his father kicks him out of the house,
he doesn’t realize that the real reason is because he is gay. “My mother assumed that I knew the truth, and
it tore her apart. Here was yet another
defining moment, and again I missed it entirely. She cried until it sounded as if she were
choking. ‘I’m sorry,’ she said. ‘I’m sorry, I’m sorry, I’m sorry.’” So not only does the humor intensify in this
section, but the human drama does as well.
And so do the references to his being gay.
Next week's chapters: 12-16.
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