The story’s pace, characterization and rather chaotic action
sequences begin to take on a decidedly “Disneyesque” aspect toward the end of
the book. Looking back, I realized that
much of the book could very well have lent itself to being recast as a 1960’s
or ‘70’s Walt Disney movie. (The script
would have to have had some expletives deleted, and to have been polished up a
little, but many of the lines might have come directly from the scriptwriters
of That Darn Cat or Mary Poppins.)
The ending, especially, has a somewhat campy scripted feel
to it, complete with a sort of nudge-nudge wink-wink interchange between
characters who would rather not have everything disclosed at the moment. It does manage not to be trite enough to make me roll my eyes; heck, even I enjoy
a good family-feel wrap-up to an engaging story such as this. It is actually a pleasant change from the
darker semi-tragic feel of many of the works I have been reading lately!
Refreshingly absent for the ending of a book like this is
the long-winded explanation usually delivered by one or more of the characters that
ties up all the loose ends of the plot, revealing why things happened a certain
way earlier in the story. A couple of
brief asides by a couple of characters, and all is clear. There is a moment when the heroes are
chagrined to be told that all the risks they took, and hardships they endured
were unnecessary. (“Oh, no,” Susan said
slowly. “Don’t tell me all this was un-”
She can’t even bring herself to say the word.)
But then some doubt is cast on just how unnecessary it was as Mr.
I-Have-All-The-Answers is stunned by further revelations.
Our book for October will be "Witches on the Road Tonight," by Sheri Holman! The first comments can be posted October 5th, and cover up to page 64 (Wallis / New York City / Midnight). Enjoy!
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